Kaos Kontrol/Reptillian Records
Throat is a quartet from Turku, Finland. Their approach could be best described as noise rock. When I label a band “noise rock” the usual litany of AmRep and Touch & Go bands get listed. And while these influences are present, supplemented by a strong NYC post-hardcore vibe, there is songwriting here that uniquely stands. Throat cultivate tension and aggression, ebbing back at times to scrape the anxiety from their flesh.
The stripped production constructs a feeling of a menacing, large room. The instruments rain noise and tumult into your ears. The drums and vocals, echo from the far corner; chaotic strings of guitars pull you in varied directions. The production relishes the live feel of the band. Listeners get a calculated, thin feel of razors and wires instead of a big thick feel.
Time changes are Throat’s main weapons. Throat employ these sections of songs to stretch tethered emotions. Certainly at times, a rocking groove runs. Often though, Throat retreat into hollow vacuums of slow, purposeful whining and plucks of the guitar. The average song is about four minutes. This gives Throat enough time indulge but not overstay the listener’s welcomes.
The beauty of Throat is in the ugly discomfort their songs emit. The cover of Short Circuit, shows an illustration of a girl about tp compete a circuit between and outlet and herself with a bobby pin. She has a look of fear on her face, yet the impending motion will be completed. That cautious harbinger, founded in the certainty of the tragedy, reiterates the feel of this record. The listener knows from the first notes that this adventure will elicit sharp, slicing memories, but the listener will continue. Hell of a record.
RIYL: The Jesus Lizard, Godflesh, Helmet, Stillsuit, Shift, Quicksand, Cows, Melvins, Pissed Jeans, Drive Like Jehu