Tuesday, March 10, 2015

Hudson Falcons Peace of Mind Review

Hudson Falcons
Peace of Mind
East Grand Records
It’s no secret that Hudson Falcons always called themselves a rock and roll band. They played for skinheads and punks, but they loved Bruce Springsteen. They had a great run for a punk band, being on the top labels like Outsider and GMM. But as the streepunk thing died or morphed or whatever; they ended. I had heard they had new line up and Mark Linskey (the singer/ guitarist/ writer would put out music or play acoustic shows). I lost track. I knew they had gone more rock and roll.

The last time I heard them was 2004’s LP, La Famiglia. A fifth album, Dancing Underneath the Moonlight, happened in 2011. This time, in 2015, Linskey and crew are back. Peace of mind is a more cohesive, focused album. Rock and roll is still the core of this band. They have added an organ. This sounds promising with an organ, but the opening track, “Live Right Now”, to me isn’t working class rock or a call back to Max RnB mod shit (a la Duffys Cut) or garage rock spasms (45 adapters)  this sounds like “The Boys are Back in Town”. This is disappointing since I have no love for 70s rock.

However, the second track, “Don’t Waste the Burn”, is a cool organ drenched solemn tune that triggers some anger (towards the world, not the song) and nostalgia. “Soul Salvation” follows with a tip of the hat to old Rolling Stones, one of my favorites. So my apprehension is dissipating quickly.
I can eschew the need for hard edge punk or the aggression of a band who used to unsubtle t-shirts like “Working Class Mother Fucker” and the Ireland unity slogan of: “26 + 1 …Over My Dead Body”. Hudson Falcons always were received well in working class cities like Providence and Boston (where I always saw them). Bands like Roachenders, Dropkicks and Ducky Boys fit right in. They had a split on GMM with Blood for Blood. Their absolute pro-union stance lyrics played well to calloused-skinned fists and tired faces chanting along. They held back no punches and were forward with their politics. That palpable honesty, in a sea of young bands crying the working class life, was undeniable.

Going through Peace of Mind, there are a few slower songs that I might skip, but all are heartfelt and are all good down home rock and roll songs.  These jersey heroes bring back many memories, especially linked up with split-mates, tour-mates, and friends, The GC5. But its fifteen years later and not every song will be a furious, raucous punk anthem. “We’ll Fight Back” is a boss song, brining a ska beat and championing a riotous chorus. The organ works well here in adding a layer of mood.

The thing about the first two HF albums was the speed, like sometimes the speed was more important than a crisp sound. Here we have a tighter band and medium paced songs with an organ. The Stones but tougher, the Springsteen meet MC5 love is apparent. Once I molted my OCD preconceptions and rigid nostalgia, I realized that it is not their fault I haven’t kept up with the band. I look at their discogs page. They have steadily put out records. That is admirable for a band who ain’t making money from it.


That said it is still a little slower and more open to other influences beyond SLF; but, holy shit this is good. “Scared” and “We Need a Union Now” pick up the pace in the middle and truly call back to the early Hudson Falcons’ sound. It is a good rock and roll album still wrought with defiance and rebellion. 

Thursday, February 19, 2015

Sniper 66 Caput Lupinum Review

Sniper 66
Caput Lupinum
Rebel Sound Music


Sniper 66 is an Austin four piece that play vengeful punk rock. Their self titled release was impressive and caught much attention in 2013. I had already liked them. They also appeared on Oi the Boat’s VOA: IV with Hard Evidence, Concrete, and Die Trying. They also provided my favorite track with a sad-as-fuck, “7 Years”, song on Cashing in on Christmas vol 5. I saw these kids lay waste at Midwest Fest ’14 and they ripped it. I ended up talking to their drummer, April. As a 37 year old, I tried not to be a creep and to not be surprised like “hey, you are a girl and you can play an instrument!”. But in a room of sweaty, old, bald men, I raised a glass and chatted to acknowledge her skills. She tore it up and simply happened to hit the bar when I did.

For Caput Lupinum, Sniper 66 have moved forward. This was available as digital or CD form last April or June. Now, we finally get a vinyl version thanks to Rebel Sound. Here they embrace less of a rock and roll sound and push a tougher, angrier and heavier sound. These kids have learned to play tighter and faster. Like wicked fast. Coming from Texas, no doubt Lower Class Brats is an influence. Oxymoron is another obvious influence. APA should be cited as well. S66 play angry, gritty riffs played automatic fire quick over sped up , battering drums. The production has been improved as well. The style is clean but allows for the instruments to play; especially that bass in there, rumbling along.

The songs do feature lyrics with the punk ethos of “be yourself”, but focus in on non-traditional topics. “Society” addresses the issue of gender roles in the singer’s household and in the punk scene and in general society. The plea of the song is to “treat (girls) as equals”.
“Why must this happen? Right in our scene/ Punk rock girls are sexualized… 
I won’t stay silent. This time I’m pissed/ Because I love this scene, I know we are better than this
 Blow up your TV …don’t listen to the standards set by society”

“Another War” definitely stands out to me. The song is churning and speaks about the empty promises of (now) multiple administrations to bring the troops home. The earlier mentioned, “7 Years” is back and depressing; which I love! Subversive, honest songs on a Christmas comp satiate me.  “Long Road” steps back half a step and calls back to the rock and roll feel of their debut. “Anxiety” is a dirty, pounding track that pummels as you listen. “One Shot” also kicks.

Sniper 66 are talented kids tearing up fests across the nation. They found enough time to sit and write fantastic punk rock songs, with no sense of pop. Belligerent riffs at sonic speeds should please anyone in leather or a bomber. Intelligent lyrics that will leave you thinking help elevate this band above the average. Production is on point, handlingS66 as they should be. No one is aiming to make more of this  than it is; and that is what makes it worth more than the sum of its parts and stand out.


 RIYL: Varukers, Abrasive Wheels, APA, LCB, Oxymoron, Defiance

Tuesday, November 18, 2014

Nun Slaughter Review of New Split EPs

Nun-Slaughter Splits
Hells Headbangers



Perversor Split:
NunSlaughter return with incredible design and splatter vinyl and penetrating metal to match. “Impure Thoughts” open this seven inch, as NunSlaughter remind you why they are the kings of Devil Metal. Sleazy and sexual in a wretched manner, NunSlaughter unleash punishing raw death metal with a crust-thrash-blackened twist. The vocal are growled but audible. You can distinguish each smattering of delectable evil. Stellar production and a sinister energy level show this band at their peak with two exclusive tracks.

Perversor come with the same vibe. Lower vocals make it harder to understand than their split mates, but the demonic intent is what matters in delivery and Perversor crushes it. The songs are fast are Hell. This side adheres to more straight forward death metal from these South American purveyors of Satanic smut. And if you missed it, it is fast as Hell. Dirty riffs meander through an atomic cloud of malicious music. Both tracks are at 3:15 and feel elongated due to how fast they are. The drummer truly elevates the effort of these killer tracks.


Witchtrap Split:
Same great effort put into the layout and grey and black splatter wax here. The  vibrant red of the record sleeve is attention grabbing. NunSlaughter again return with ill tracks. They kick the speed up until the break into a swinging death-thrash riff that slays all suckers. As a tribute to their Colombian split mates, Witchtrap, NunSlaughter have titled the respective tracks “La Ofrenda” and “Altar De La Muerta”. 

While Witchtrap raised the ante with “Sex Commander” and “The Devil’s on the Loose”. These tracks are not as low tuned or dark as NunSlaughter. They are still metal as fuck, though. A tougher version of NWOBHM or Kreator, Destruction, Sodom would be appropriate. The chorus of “I’m a Sex Commander” certainly has me naked in my apartment with a towel for a cape. This is empowerment.

Afucking Plus for package and design. Support this and buy some vinyl

RIYL: Possessed, Nekrofilth, Necroholocaust, AntiCimex, Nuclear Assault, Toxic Holocaust

Hara Ball Half Tux Review

Hara Ball
Half Tux
Fysisk Format

I first heard this band when i was handed their Sleep Tall LP. And color me impressed. But i never heard much from them after that. Well, this was released in back in June, but hell. I review good music. And this is a continuation of their rough harsh hardcore.

Hailing from the cold winds of Oslo, Norway, these dudes deliver old school, tough, fast as hell hardcore punk. They have two seven inches from 2012; The Rope and Frowns and Downs. Seeing that The Rope's cover is a dude about to hoist up a noose, this is definitely my ilk; angry and fast.

Half Tux (you got me, man) boasts song titles like "Sick of Onions" (again - no idea) and "Off My Meds" and "Drunk at Work". The cynical attitude has me stoked to be pressing play again. And when i do, god damn if this isn't perfection. Production is on target; just let the guys play their songs. Do not fiddle.

The songwriting is comfortably familiar territory while tweaked with nuances to not just be a rehash of their earlier material or other bands'. The opening of "Mallcop Dungeon" is a building ascension wrought with tension and pending energy; it shows the influence of the Circle Jerks and Void. "Drug Tunnel Collapse" is strewn landscape of rhythms, expanding to an epic three and a half minutes.

Most tunes check in between one and two minutes but some songs rock out longer. The title track is under three minutes, but still throws furious, speedy riffs into the forefront. Unbridled energy is relentless on this album; track after track. I picture dudes skating an abandoned concrete pool to this.


FFO: ETA, Vitamin X, Deep Sleep, Sectarian Violence, Cloak/Dagger, Okkultokrati, Iron Reagan

haraball bandcamp
haraball.com

Band members:
Jon Eivind Eriksen – vocal
Vegard Holthe – bass
William Øberg – guitar
Trond Mjøen – guitar
Daniel Wakim – drums

Interview with A Skinhead about Krishna

New Noise Magazine was nice enough to print an interview I did with Scott from No Resistance. Dude is cool and is a good friend. But I was astonished at a punk rock skinhead kicking aggro tunes being a Krishna. But the exposes more of my ignorance than anything else.

I have vehement, cynical view of all religions and their associated organizations. But I detest ignorance. We learn much and only truly progress through conversation and education. While I never listened to even Youth of Today (never mind 108 or Shelter), Cro-Mags and Next Step Up are two of my favorite bands ever. And they were heavy and angry. I enjoyed John Joseph's biography immensely. So fuck. Let's chat.

The Interview

Snake Handler Enjoy The View Review

Snake Handler
Enjoy the View
Victimized Records

Jesus Almighty. This is heavy, fast, gnarly, ugly. In other words, this is perfect. Snake Handler released a demo cassette last year. It was damn good. Enjoy the View excels at their formula.

The anger oozes through the speakers. For being so raw and frantic, the production is well mixed. I always search for where the bass gets pushed to in a track; as it is usually my focus. From doom metal to hip hop to punk to oi etc, the bass is the foundation for me. This bass is utilized as a pile driver, pushing the songs forward. Rich's guitars are frenetic but are focused with intent of delivering fierce riffs. The drums are tight as penguin pussy. Ian's vocals are exactly what I want; raw and pushed but not filtered or cleaned in anyway; and not growled like a caricature to sound like a demonic cookie monster.

The other aspect of hardcore that I love, are time changes. Snake Handler knows how to drive fast then pull it back a hair for the two step or crushing breakdown. The intro to "Ghosts" is slow and evil and quickly rushes into an unparalleled fury.

Snake Handler never go d-beat or crust, but the frenzied disdain for humanity seems to channel that energy. But you can still dance to this if you want to destroy a VFW hall or dive bar. There is always a spark of - not catchy or grooved - some small swing to grasp. When "Saturday Night..." kicks into its bridge, those low toms pound rhythms of destruction. The song's swinging riff is so fucking incendiary. You will not sit still. I broke into unabashed mirror moshing in my basement.

I cannot find a flaw here. I seriously would not change a thing. I do not think a cleaner production would improve the delivery. It's not bad production, it is the style that fits this hardcore. It is never muddy - you are always able to discern each instrument and vocal. This is dark music. But this ain't no lingering sludge or mopey emo. Snake Handler has no time for that. While pummeling your senses, these tracks leave you no time to ponder or wander in the existential darkness. You can only hate and want to rage forward.

FFO: fucking hardcore. Think the energy and ethos of Black Flag and Poison Idea, but turning it darker and angrier. Bands like Violent Arrest, Punch, Boston Strangler, Tear It Up, Reproach, Wasted Time, Raw Nerves, Sick Fix, DFA, Set to Explode, 86 Mentality, Born Against, and, of course, Sheer Terror demos and Negative Approach.

BUY THIS RECORD:
Take a listen
Bandcamp - Listen and purchase
Buy the hard copy

Thursday, October 9, 2014

Sick Of It All Last Act of Defiance Review

Sick Of It All
Last Act of Defiance
Century Media
Review by hutch



Riding the momentum of the astonishing two prior LPs, SICK OF IT ALL return to sear audiences with a raw, fierce record reflecting our current cultural climate. 4 dudes from queens, with a piercing global awareness and urgency, motivate hardcore fans, from the nubile to the decrepit, to finger point and swing fists to the true spirit of NYHC. Last Act of Defiance is NYHC stripped down to its base motivation of taut, frantic indignation as propulsion for change.

There is no question that Sick Of It All’s integrity, heart and energy are in full throttle even as they approach they approach the thirty year mark in hardcore. Some may wonder about the sound though. Death to Tyrants proved that the hate and cynicism could still be savagely expressed over dark, metal-tinged stomp fests. Based on a True Story blended each album of their catalogue into a nostalgic romp. As we get blessed with yet another SOIA album, they strip down to pure NYHC grit and fury.

They have been sticking with the same producer, Tru Madsen, as they feel he gets their sound perfectly. As we enter into another flawless full length, I can appreciate the repeated visits. The other aspect of stability is their label, Century Media. I have seen Sick Of It All in smaller venues over the last few years (as I have since 1990) and there is no question of the dedication and intensity they can unleash on an audience.

Sick Of It All keeps the tried and true formula on lock while style feeling fresh and invigorating. I want fast songs with harsh tones leading into pit inducing breakdowns; while Lou screams with a ferocity rarely matched. “Sound the Alarm” opens it just like that. “2061” barrels in calling for some honesty some from our government, as they have done since “Politics” and “Injustice System”. Frenetic noise lingers adding a layer to the raw delivery.
Mmost people mellow with age. I have not. This is why Sick Of It All will always remain in my top 3 and continue to be a soundtrack for this confused world extolling broken systems. A New York groove pulsates through it but never overtakes the furious execution of rebellious anthems. When you tile a song, “Get Bronx”, the home of KRS-One, you better have a little swing in the riff. And SOIA does. This song would clear a dance floor quickly.

Musically, this is Scratch the Surface meets Call to Arms. Many sing-alongs and gang vocals ensnare the listener into frenzied anthems. Infusing punk and Oi into metallic edged tracks, SOIA’s spirit is evident as they keep screaming about injustice and their dedication to loyal friends. Sick Of It All exposes a pith which is forged with indignation and education. They attempt to incite their audience, to eradicate complacence. And with their charged tunes, I cannot understand how some would sit idly while listening.

Expanding the family, Mad Joe from Wisdom In Chains (SOIA’s closest inheritors of the crown)joins on “Facing the Abyss”. One song goes beyond 2:30; at 2:43. “Act Your Rage”, under 1:30, boasts “We still feel this deep in our soul!” to back up a vitriolic spewing of disdain for the judgmental fakes in the scene. That song is quickly followed by a big riff in “Disconnect Your Flesh”, a condemnation of those wasting days and weeks attached to the materialistic ennui of modern life, which ends with a dark, heavy breakdown.

“Sidelined” is a sped up romp, highlighted by a churning riff that spazzes into fast parts. “Part of History” shows Armand relentlessly beating his drums into submission.  Again, The production captures Craig Ahead’s low, jangling bass lines the push Pete’s riffs to twist and spiral. A slow sludge like twirl at the end of this track adds variety.  “Losing War”, “DNC”, and “Outgunned” all embody the best aspects of SOIA’s reign.


Sick Of It All continues with a Napalm Death like resurgence since Yours Truly with now another classic NYHC collection of rage fueled songs; each album proving they still have it and can dominate a scene of worthy opponents. It’s fucking awesome. I sure as hell hope this is not their Last Act of Defiance. I could use about five more of this caliber of albums. There is a clear, a black, a colored (180gm) version thanks to CM. Digitally, (e.g., on Spotify; there are two bonus tracks – which totals to sixteen – including a Fergusn appropriate, “Stand Down”). Digipack CDs are available too. Please don’t miss out on the artwork and lyrics here. These words are the most important part.