Showing posts with label black metal. Show all posts
Showing posts with label black metal. Show all posts

Wednesday, March 15, 2017

Abatuar Perversiones De Muerte Putrefacta Review

Abatuar
Perversiones De Muerte Putrefacta
Dunkelheit Produktionen
Release: 17 April 2017

Abatuar is a one man Panamanian Firestarter named Cadaver. He has worked in other metal bands, but this is his baby, his shining moment. Metal-archives shows other members covering guitars, as Cadaver is a drummer. But he gets this credit for all of this, so I must assume he plays guitars on this as well. Call it black metal, but Perversiones De Muerte Putrefacta pulls in influences from grind and death. This LP is raw and ugly, confrontational. After two impressive – and sought after – demos, Abatuar now unleash their debut full, Perversiones De Muerte Putrefacta, length on Dunkelheit.

Thick, sludge drenched guitars flog with whips of razorwire. The aesthetic here is clearly the old school ethic of recording in a subterranean cave with a boombox. That’s cool. But, I do wish the production was a touch crisper with some punch. The songwriting is strong and hits like a tsunami. Drums lay a frantic foundation, constantly rolling and pounding. Guitars bandy on a riff. The time changes (check “Decapitacion Latrinal”) give some texture and variety which I appreciate. “Adoctrinemantio Colectivo Genocid” is unfettered fury; grind core speed and rage. These are the platforms for the album. “Deidades Sepultades con Restos” has a, dare I say, groove? Not really but a catchy riff and a mid-tempo beginning that moves into a 4/4 beat. Then, it moves faster. “Ordalias de Hierro Fundido” messes with time and the listener’s mind. It is a rapid beast. But it truly pushes, grinds, as it pounds forward. Some killer death metal riff embedded in it reminiscent of the Swedish 90’s sound.

 Perversiones De Muerte Putrefacta slithers unapologetically. Abatuar create a dungeoness atmosphere of belligerence and fury. Compelling riffs and tumultuous drums, adorned with ghastly vocals, elicit terror and seething acrimony in a listener. The lo-fi production beckons true black metal and grind. This LP conjures a feast of primal urges with sounds of Hell.  



AVailable in black or red vinyl or CD: shop

Tuesday, March 14, 2017

New killer Abatuar LP streaming at No Clean Singing

Abatuar
Perversiones De Muerte Putrefacta
Dunkelheit Produktionen
Release: 17 April 2017


Suspicious Activities PR is pushing this new album. I have been rocking the promo for a month and its spellbinding. I have been in love with this album.

Brilliant black metal, embracing chaos and espousing damage. This is a brutal album from Panamanian one man cyclone, Cadavar. After two demos, Abatuar come with 12 tracks of raw metal. My review will be up soon.

Check out the full LP streaming at
no clean singing

Abatuar Facebook

spend some money

Thursday, July 30, 2015

Throaat Blck Speed Review

Throaat
Black Speed
Invictus Productions
Release: 3 August 2015

Black Speed is quite the appropriate title. The title fits because the sound of Throaat is from the era of Black Metal being speed punk in the coarsened vein of Bathory, Hellhammer, Mayhem and especially Venom. Hell, Throaat even covers Venom here. They are a power trio creating disturbing, violent metal. They have a few EPs and demos, but this four plus cover tracks is brutal and evil in all the right way.

The production is on point in letting the feral beast snarl and gnash without suffering from muddy quality. “Coven” embraces a cold breakdown. The drums smash along as a winding solo boasts bravado. And dare I say, a melodic part is teased before thrashing to the end. Slower parts meander through the EP to add power to chugging riffs. Throaat also speed it up when needed. While paying homage to the great of leather clad Satanists, Throaat inject their own, err, venom into the blood of the listener. Black Speed is not mimicry or copies of classics.

The balance of medium paced riffs bursting into speedy damage is exemplified on “Explode”. This b-side opener is a treacherous rager.  Sinister growls of devious plans and intentions slither through the speakers. Chains rattle as the jangly bass driven “Rampage” charges forward. The bellows grow deeper and the spirit is enveloped by an even darker force. Faster and colder, the vision of Throaat comes to full fruition on this beast.


RIYL: early Slayer, early Metallica, early Bathory, early Venom, early Death Angel, Tormentor (Hungary), Motorhead, Razor

Wednesday, April 29, 2015

Abominator Interview for Evil Proclaimed

Abominator
Evil Proclaimed
Heads Hellbangers
Interview by hutch with: Chris Volcano
Line-up: Chris Volcano – Drums & vocals, Andrew Gillon – Guitars, BM Brad – Bass & Vocals

 “It all started on a blood chilling day in late 1994, when I forged a pact with Andrew (Gillon) to write beastly tunes for Satan.”  A bold mission statement is precisely what defines the Melbourne, Australia metal band, Abominator. Despite many line-ups, the core of Chris Volcano and Gillon, recently recruiting new bassist, BM Brad, deliver their new album, Evil Proclaimed. Their sound may have evolved, but the fire inside burns brighter.

“Today, it feels as though we have started the band all over again.” Volcano discusses his spark after commenting that this album took a long time to record. “We remember what it was that motivated us in the beginning, but we have wiser heads on our shoulders. The band can continue in the darkest possible direction for the next few years. The new album is massive, but also harsh and scathing.”

Volcano is direct about the disease of current metal bands’ grand production techniques. He secures Abominator’s oath to “not falling victim to a weak, overly digital production. It is absolute black chaos from start to finish.” Volcano’s pride is palpable; as sin is worth total indulgence. Abominator produced Evil Proclaimed with Sam Johnson on the boards and Alan Douches of West West Side mastering the album. Seeking premier professionals is “a product of the way we chose to do things. We've had enough experience to know what does and doesn't work. Money wasn't really a factor, as we paid for some of the recording ourselves.”

Reading some early rviews online, I am confused by some purists wanting a strictly defined, genre aligned album. Volcano laughs at these rigid “wimps”.  After the two decades which Abominator has recorded, people should expect change. “It is impossible for a band like us to go into a studio and replicate the sound from our first album, it just doesn't work like that. The album is relentless, heavy, raw, and chaotic. It is more or less straight black metal, but it does have the aesthetic of that time honored tradition of the bestial sound.  If you are a true black/death maniac, there is enough variation in tempos and riffing to get your head around.”

Opening already this year for Black Metal legends, Marduk and Inquisition, Abominator are looking to tour. For now, the Melbourne scene is where Abominator will play their home scene. Members have other bands; Ignivomous, Cemetary Urn, and Voidchrist, perpetually participating in the scene. Volcano is quick to boast about Australia’s strong metal history. Volcano is quick to list many current and historical bands. “Australia has had a rich and diverse metal scene for years now. There are a lot of bands who are trying to be the next big thing in tech death or the next Dark Funeral. We need more young bloods who crave the bestial sounds of old.”

That 1994 oath Volcano procured with Gillon has been fulfilled with creating savage war metal. There is the portion addressing who it is created for, though. “Satan, and the portrayal of it, is very important to us, but it is crucial to express it in the right way. It represents the duality of our human condition, and I have some deep demons to deal with. I use this music as a focus for that dark, primal energy. It has been fascinating for me to learn about Satanism and various branches of occult knowledge. It is not necessarily about the outright praise of evil, but an understanding and acceptance that the darkness is a fundamental aspect of life on this Earth plane. Besides, God and Satan are very subjective in terms of the forces that currently influence this world. Somebody like myself may be closer to the truth than your average hypocritical Christian. Look at the rich and greedy elite, how they ravage the environment, brainwash people and send people off to their doom in wars they have created.”

Volcano boasts that this is no image like some black metal bands. “For me, it is a way of life, especially having experienced the spiritual dissociation from the rest of society. That is the extent of it. I perform Satanic art, but I haven't got time to go out and burn churches or sodomize goats. That is not how it (actually) works anyway. Literally, there is a divine force in the universe, as well as a force opposing it.”
While those opinions may seem brash or abstract, it pales to Volcano’s distress over the tangible plane’s fruit of the metal scene. “I don't think metal could get any more popular in such a fickle society, unless there was a massive paradigm shift away from shitty mainstream culture. If that were to happen, you can be sure that others like me will have had nothing to do with it. None of the true fans want it to get that big anyway, it just wouldn't be the same.”

Chris Volcano suggests other Australian metal:

Current:
ESKHATON, BEYOND MORTAL DREAMS, IMPETUOUS RITUAL, INVERLOCH, DENOUNCEMENT PYRE, NOCTURNAL GRAVES, DESTRUKTOR, TZUN TZU, LUSTRATION, ALTARS, PORTAL

Historical:

 HOBBS ANGEL OF DEATH, SADISTIK EXEKUTION, BESTIAL WARLUST, SLAUGHTER LORD, ARMOURED ANGEL, DESTROYER 666.